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of the Nelson McCoy Pottery Lines
Do You Have A Question Or Comment
About McCoy Pottery?
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DID YOU KNOW?
By Ima Pot
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The
5-inch by 5–inch jardinière
shown at left is part of the Nelson
McCoy “Rustic
Line.” This line was introduced in 1945.
Did you know that here are two sizes of this jardinière?
The other size is 6¾ inches by 6¾ inches.
The 5-inch
x 5-inch Rustic jardinière
was issued for two years, in 1945 and 1946. Thereafter,
the colors were Turquoise, Coral, and Yellow. These
colors were issued from 1947 to 1953.
The larger,
6¾-inch by 6¾-inch
Rustic jardinière was issued in 1945, and
possibly 1946.
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Information
from the company catalog provides some details
concerning these two jardinières,
but what about the 6-inch by 6-inch Rustic jardinière
with surreal faces shown to the right. Considering
the glaze coloring, it must also be assigned to
the Rustic Line, but there is no catalog information
concerning it.
What seems
to have happened is that McCoy first issued
the surreal faces jardinière in late
1944 or early 1945, and evidently, customer acceptance
was negative. As a result, the jardinière
was redesigned and issued in the two styles and
two sizes mentioned above.
All of these
Rustic jardinières are not very common,
particularly the large size and the one with
surreal faces.
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In
1979 the Nelson McCoy Pottery issued the Islander Collection
of Kitchenware. Among the pieces offered was a Bundt
Cake Pan in the shape shown below. The pan came in three
solid colors, Cream, White, and Yellow. Evidently, the
Islander Collection did not sell well, since the line
was only available for one year.
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However, selected pieces from the collection continued
to be issued as part of other lines in following
years. One of these pieces was the Bundt Cake Pan.
Although there is no catalog information about
it, the pan shown here is a Brown Drip over a Cream-Colored
body.
Apparently, the pan was a piece that was offered
only one year as part of the Graystone Kitchen
and Dinnerware Line. This line came out in 1980,
and was discontinued in 1981.
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A
short time ago the ornate, 7-inch tall pitcher
shown here surfaced, and was acquired from a Canadian
collector. It is unmarked and has a flat unglazed
bottom.
The pitcher is thought to have been designed
at the Nelson McCoy Pottery, although it was never
produced for commercial sale. There is very little
information on the pitcher, and only three of them
are generally known to exist.
A collector
in Whitinsville, MA owns the second of the
known pitchers. The other pitcher was in the
Ty Kuhn collection. Ty Kuhn worked at the McCoy
pottery for almost fifty years, and retired in
1980 as a Managing Ceramic Engineer.
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In his position
at the pottery, he had daily oversight of all production.
This together with the fact that he had this style
pitcher in his collection with other uncommon pieces
of McCoy, has lead to the belief that it is a Nelson
McCoy product.
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Pictured
to the left is an uncommon, 8-inch tall, Coffee
Server, with a floral decal. The body is White,
and has a fired-on decal featuring a delicate Pink
rose, and Green leaves.
The Nelson McCoy Pottery first issued this shape
Coffee Server in 1957. It was part of the Sunburst
Gold Line. In 1958 and 1959, the server came out
in Turquoise, Yellow, and Pink, all with a Flecked
finish. None of the servers produced during these
three years had a decal.
The above
is the only catalog information that pertains
to this Coffee Server. However, we do know,
from collector “finds”,
that the server was also produced in Mist Blue
with White horizontal streaks, like the Harmony
Line. This server is marked “Esmond”,
which indicates it was made under contract with
them. This probably occurred in the early 1960’s.
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In addition to
the server shown here, three other floral decals
on White servers are known, but we do not know for
sure when the Coffee Server was first issued in White,
or when any of the servers with decals were issued.
Although these servers are marked “McCoy”,
they are not included in the general sales catalogs.
This probably means that they were also produced
under contract.
In
1980, the Nelson McCoy Pottery issued a new type pot
and saucer. It was called a “Water Guard Planter”.
The following is a company advertisement introducing
the new planter.

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Just
surfaced is this uncommonly glazed pitcher and bowl
set shown at left. This shape pitcher and bowl
was first issued by the Nelson McCoy Pottery
in 1979, but it was a White, or Cream colored,
with a floral decal.
This
shape set was made until the pottery was sold in
1985, with a variety of different glazes and decals.
However, the particular glaze shown here, a Brown
top area on the pitcher and bowl over White, is
uncommon. There is no catalog information on this
style glaze, although other type glazes and decals
are described.
The pitcher
is 5½-inches
tall, the bowl is 2-inches tall, and about 8-inches
wide. Both pieces are marked with Style Number 7528,
McCoy, LCC, and USA. |
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Shown
here to the right is a not often seen Goose
Pitcher. Nelson McCoy Ceramics (Designer Accents)
produced and issued the pitcher in the late
1980’s.
The pitcher is part of a line called Country
Accents.
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Pictured
to the left is another seldom seen pitcher.
The colors are a mottled Blue and White.
The 7¾-inch
tall, unmarked pitcher, was made by the Nelson
McCoy Pottery from 1975 to 1978. It was originally
issued with a basin.
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The
lamp base shown has a Blue-Black blended glaze.
The lamp base was made from Style Number 10,
7-inch tall vase, which was first issued by
the Nelson McCoy Pottery in the early 1930’s.
Originally,
the vase, which is unmarked, was part of Nelson
McCoy Senior’s
Loy-Nel-Art Line, a line-name he copied from
his father J.W. McCoy. When it was first issued,
there were solid colors of Blue, light Yellow,
light Green, and light Brown, with hand decorated
Green leaves and Red berries.
By 1938, the last year of production, the colors
of the vase were solid Matte colors of White, Green,
Rose, and Blue, with no decorative coloring.
It is not
known exactly when the uncommonly glazed lamp
base shown was produced, but is was probably
between the middle and late 1930’s.
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